Dandy

[[Adalbert Stifter]], [[Adam de la Halle]], [[Adelbert von Chamisso]], [[Alfred Döblin]], [[Annette von Droste-Hülshoff]], [[Army of Lovers]], [[Avo (sigaar)|Avo]], [[Barraigh]], [[Beàrnaraigh]], [[Boraraigh (Saint Kilda)]], [[Boraraigh (Uibhist a Tuath)]], [[Bhalaigh]], [[Chandos]], [[Christa Wolf]], [[Christian Dietrich Grabbe]], [[Cognitieve taalkunde]], [[Complex voorzetsel]], [[Confix]], [[Dido and Aeneas]], [[Discourse marker]], [[Distributionalistische taalkunde]], [[Dun (eiland)|Dun]], [[Eduard Mörike]], [[Else Lasker-Schüler]], [[Ernst Jünger]], [[Ernst Toller]], [[Etnografie (sociolinguïstiek)]], [[Ferdinand Raimund]], [[Fiertel]], [[Franz Grillparzer]], [[Friedrich Gottlieb Klopstock]], [[Friedrich Hebbel]], [[Functionalistische taalkunde]], [[Intuinzin|Garden path sentence]], [[Georg Büchner]], [[Georg Herwegh]], [[Georg Heym]], [[Gertrud Kolmar]], [[Gilsaigh]], [[Gottfried Benn]], [[Gottfried August Bürger]], [[Gottfried Keller]], [[Gotthold Ephraim Lessing]], [[Grammaticalisatie]], [[Grodhaigh]], [[Gustave Guillaume]], [[Haarlak]], [[Hanns Johst]], [[Hans Henny Jahnn]], [[Hans Leo Hassler]], [[Harris/na Hearadh]], [[Haskeir]], [[Heinrich Isaac]], [[Heinrich von Kleist]], [[Heimito von Doderer]], [[Heisgeir]], [[Hiort]], [[Hugo von Hofmannsthal]], [[Hyperion (muzieklabel)|Hyperion]], [[Jakob Michael Reinhold Lenz]], [[Jean Paul]], [[Johann Nestroy]], [[Johannes Tinctoris]], [[John Amner]], [[John Coprario]], [[John Dunstaple]], [[John Flamsteed]], [[John Taverner]], [[John Wilbye]], [[Joseph von Eichendorff]], [[King Edward]], [[Leòdhas]], [[Lingeigh (Na Hearadh)]], [[Lingeigh (Uibhist a Tuath)]], [[Lingueem]], [[Loch na Madadh]], [[Marie Luise Kaschnitz]], [[Masque]], [[Mater]], [[Mentalistische taalkunde]], [[Misantroop]], [[Moneem]], [[Monocle]], [[Montecristo (sigaar)|Montecristo]], [[Movering]], [[Nelly Sachs]], [[Nulmorfeem]], [[Ödön von Horváth]], [[Ontruiming van de Hooglanden]], [[Orosay (Uibhist a Tuath)]], [[Pabaigh (Barraigh)]], [[Pabaigh (Na Hearadh)]], [[Partagas]], [[Patrick Moore]], [[Pelham Humfrey]], [[Performatief werkwoord]], [[Peter Handke]], [[Private Eye]], [[Proto-World]], [[Quality Street]], [[Robert Fayrfax]], [[Robert Musil]], [[Ronnie Barker]], [[Sgarabhaigh]], [[Sigarenbandje]], [[Sigarenkoker]], [[Siolaigh]], [[Soaigh]], [[Spaarvarken]], [[Stefan George]], [[Steòrnabhagh]], [[Structuralistische taalkunde]], [[Substantivering]], [[Sumer is icumen in]], [[Syncretisme (taalkunde)]], [[Tarasaigh]], [[The Beggar's Opera]], [[The Griffin's]], [[Theodor Fontane]], [[Theodor Storm]], [[The Triumphs of Oriana]], [[Thomas Bernhard]], [[Thomas Morley]], [[Thomas Ravenscroft]], [[Thomas Tomkins]], [[Tobias Hume]], [[Transformatie (taalkunde)|Transformatie]], [[Turlough O'Carolan]], [[Uibhist a Deas]], [[Uibhist a Tuath]], [[Werner Bergengruen]], [[Werther's Original]], [[Wilhelm Raabe]], [[Willem II (sigaar)|Willem II]], [[William Congreve]], [[William Cornysh]], [[William Mundy]], [[Yvan Goll]], [[Zino]]