Bestand:1darmst.jpg
Oorspronkelijk bestand (860 × 1.214 pixels, bestandsgrootte: 153 kB, MIME-type: image/jpeg)
Onderstaande beschrijving komt van de beschrijving van het bestand daar.
Beschrijving
Hans Holbein de Jonge: Darmstadt Madonna | |||||||||||||||||||||||||
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Kunstenaar |
artist QS:P170,Q48319 |
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Titel |
English: Darmstadt Madonna |
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Soort object | schilderij | ||||||||||||||||||||||||
Genre | religieuze kunst | ||||||||||||||||||||||||
Beschrijving | |||||||||||||||||||||||||
Afgebeelde personen | |||||||||||||||||||||||||
Datum | 1526 and after 1528 | ||||||||||||||||||||||||
Techniek | olieverf op lindehout | ||||||||||||||||||||||||
Afmetingen |
hoogte: 146,5 cm; breedte: 102 cm dimensions QS:P2048,146.5U174728 dimensions QS:P2049,102U174728 |
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Collectie |
institution QS:P195,Q1232004 |
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Huidige locatie | |||||||||||||||||||||||||
Inventarisnummer |
14910 (Sammlung Würth) |
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Objectlocatie |
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Place of creation | Basel | ||||||||||||||||||||||||
Herkomst |
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Referenties |
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Bibliografische informatie | |||||||||||||||||||||||||
Bron/fotograaf |
Web Gallery of Art: Afbeelding Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/h/holbein/hans_y/1531/1darmst.html" |
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Toestemming (Hergebruik van dit bestand) |
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Items getoond in dit bestand
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Darmstadt Madonna Engels
image/jpeg
4b795e3b13a9724f942b2425ee5156b6630dfa17
156.380 byte
1.214 pixel
860 pixel
Bestandsgeschiedenis
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Datum/tijd | Miniatuur | Afmetingen | Gebruiker | Opmerking | |
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huidige versie | 30 mrt 2007 17:24 | 860 × 1.214 (153 kB) | Poupou l'quourouce | {{Information |Description=Darmstädter Madonna, Hans Holbein d. J. |Source=http://www.wga.hu/art/h/holbein/hans_y/1531/1darmst.jpg |Date= |Author= |Permission= |other_versions= }} |
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Metadata
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Opmerking bij JPEG-bestand | HOLBEIN, Hans the Younger
(b. 1497, Augsburg, d. 1543, London) Darmstadt Madonna 1526 and after 1528 Oil on limewood, 146,5 x 102 cm Schlossmuseum, Darmstadt The Meyer or Darmstadt Madonna is the last, most famous and most effective of Holbein's great religious works, above all in its depiction of individual human identities combined with spectacular spatial control and illusionism - as exemplified by the ruckled carpet. Standing in a scalloped niche with projecting consoles, Mary, with the Christ Child in her arms, is surrounded by the Meyer family. The hooped crown, an allusion to the German imperial crown, identifies her as the Queen of Heaven. Typologically, the painting is a Schutzmantelbild (a `Virgin of Pity' painting), in which the donor, Jakob Meyer, invokes and gains divine protection for himself and his family. Unusually, the donor is shown as the same size as the Virgin. Chastened by worldly failure and disgrace, Meyer no longer staunchly outstares the world but has his eyes fixed on other realms in meditative intensity. This introspection is echoed by his wives the enigmatic enwrapped profile of his first, Magdalena Baer (who had died in 1511) and Dorothea Kannengiesser. Before them kneels Anna, the only surviving child, whose portrait drawing in chalk shows her with free-flowing hair. Holbein repainted her hair tied in a band after her engagement. In front of Jakob, in a Raphaelesque triangular pose deployed with subtlety and skill, his two deceased sons are depicted. The baby, with curly blonde hair and pudgy cheeks, has affinities with the Leonardo type. Also Leonardesque is the prowess shown in the foreshortening of the Christ-child's extended arm, and the naturalness of the baby's pose, which recall The Virgin of the Rocks.
Author: HOLBEIN, Hans the Younger Title: Darmstadt Madonna Time-line: 1501-1550 School: German Form: painting Type: religious |
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